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Tsingshang participates in design of Expo 2019 Beijing’s International pavilion entrance hall

2019-05-08

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The design sketch of the 2019 Beijing International Horticultural Exhibition

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A paper cutting displays true perspective in a wall show 

The entrance hall of the international pavilion of 2019 Beijing International Horticultural Exhibition, designed by Beijing Tsingshang Architectural Decoration Engineering, affiliated to Tsinghua Holdings Human Settlement Group, was finally completed and opened to the public.

2019 Beijing International Horticultural Exhibition, the most-top-level special international exposition of the largest scale since the 2008 Olympic Games and the 2010 Shanghai World Expo, was started on April 29 in Beijing. 

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The perspective-based paper cuttings show the natural landscape of different continents. 

In the course of one year of conception and design, multimedia projectors, live-action and brake rigging were applied to offer visitors a multi-dimensional and tri-dimensional experience.

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 The human landscape is also projected on the murals. 

The international pavilion exhibition, with a focus on water’s nourishing of all things on earth, displays the diverse colorful ecology in all continents of the world.

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At the end of the projection, the leaves and seeds turn into particles of different colors and mingle together to represent the integration of different cultures. 

 

This exhibition shows every-day and scientific knowledge of famed flowers and trees of all countries and embodies integration of multi-horticultures.

In this entrance hall, visitors can enjoy a pilot perspective drawing on the theme of creature migration and natural harmony in the form of Chinese paper cuttings and seamless projection animations.

The closing shot of the presentation demonstrates the power of life with a mechanical device making visitors feel that they are personally taking part.

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At the end of the exhibition, all the petals and seeds turn into particles of different colors, come together and go upstream following the water to gradually become the flower of the exposition.

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